African Art Gallery
Nail Fetish with Mirror (Nkisi Nkondi)

Nail Fetish with Mirror (Nkisi Nkondi)

Origin: Democratic Republic of the Congo, Sud-Ubangi Region, Enyele village People/Ethnic Group: Lobala (minkisi tradition) Material: Wood, iron nails, fabric, cord, mirror, kaolin, ritual matter Technique: Sculptural, assemblage, reliquary mounting Age: before 1950
The second nkisi figure in the collection — a "wrapped" variant in which the torso of the sculpture has been bound in fabric and cord, forming a ritual "skin" for the object. On the chest is a mirror window — a typical bilongo element: the mirror is meant to deflect the evil eye and allow the spirit inhabiting the figure to "see" the intentions of those who address it. Small bundles and packets attached to the torso contain medicinal substances (herbs, earth from a grave, hair) — personal carriers of the powers that the nganga managed on behalf of the community. A clearly carved face with an open mouth and angular features, eyes accented with white — the expressive canon of "speaking" minkisi. The numerous forged nails and hooks driven into the torso record matters decided with the figure's participation. Objects of this kind, in full undeconstructed condition, are among the rarest evidence of minkisi ritual practice and are particularly prized in museum collections (comparable items at the British Museum, MRAC Tervuren, Quai Branly). [DRAFT — preliminary description based on visual analysis of the object and its general cultural context. Subject to verification by an expert in African art; the full catalog entry will be prepared in separate KRS documentation.]
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